Don’t overthink the name (it’s just “churches”) and focus instead on the track: thirty seconds and fixation should occur naturally. “The Mother We Share” is only the second song released by this Scottish trio, but this hasn’t stopped them from gaining considerable recognition. In fact, they were chosen to be one of the five artists listed in BBC’s Sound of 2013. Attribute it to the shiny electro-pop synth, or maybe the uncertain yet passionate vocals; either way, CHVRCHES is onto something spectacular.
CHVRCHES’ lead singer Lauren Mayberry has unusual credentials for that of a rising indie idol. Having earned both a law degree and her masters in journalism, a career in music was an unexpected next step. It may be her smarts that prompted these Scots to change their title from “Churches” to “Chvrches,” using the Roman “v” to keep Google from confusing them with the structures for religious practice that share the name (true story).
Mayberry’s self-reported lack of confidence is felt in her restrained vocal style, which emanates vulnerability and innocence. Her delicate vocals guide the song, pushed forward by waves upon waves of shimmering synth effects. “The Mother We Share” creates elements beyond that of simply catchy electro-pop. It elicits a pain tied to coming to terms while not trying to mask the sorrow attached to it. The groups only other release, “Lies,” shows the stronger side of Mayberry, replacing the angst of “The Mother We Share” with an overdue release of a long withheld resentment backed by pounding synth. With the warm reception of the group’s two tracks, eyes will be on them, with hope that this is just the first taste and not just some exceptionally good music.